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Archive for the ‘Nourish the Writer’ Category

Felicity makes the Final Three of the Text YA Fiction Competition

Posted by Rowena Cory Daniells on July 19, 2012

We’re doing a Squee! for Felicity, regular ROR blog reader and guest poster.

(See Fel’s post on using research to give authenticity to your writing. She talks about her time on the tall ship and a balloon ride).

Felicity (writing as Louise Curtis) entered her book Heart of Brass in the Text Young Adult Fiction Prize. She was delighted to hear she’d made the final three. While her book didn’t win, this is an excellent result and we’ll be keeping our fingers crossed for her!

Posted in Australian Spec Fic Scene, Editors, Literary Competitions, Nourish the Writer, Publishing Industry, Writing Opportunities | Tagged: , , , , , , | Leave a Comment »

A short story competition for writers of mysteries

Posted by Rowena Cory Daniells on June 22, 2012

Since I began interviewing spec fic writers I’ve noticed that many of them also write mysteries*. I think the world building needed to write SF or fantasy is similiar in some ways to the world building needed to craft a mystery.

Here’s a short story competition run by the Sisters in Crime (Australia) – The Scarlet Stiletto Awards.  The only caveat is that it is open to women writers, because this is the Sisters in Crime, not Siblings in Crime. This is the announcement:

19th Scarlet Stiletto Awards Crime short story competition now open

Sisters in Crime Australia’s 19th Scarlet Stiletto Awards, Australia’s only crime writing competition for women, are now open with a record $5350 up for grabs.

Note: the increases in the Harper Collins 1st prize and the Allen & Unwin’s and 2 new awards:

  • Athenaeum Library ‘Body in the Library’ competition $1000/$500 runner-up for the best crime story containing the words ‘body in the library’.
  • Catherine Leppert Award for ‘best environmental theme’ ($250).

Other prizes include:

Harper Collins 1st prize (now $1000) plus the coveted scarlet stiletto trophy

Kill City Bookshop 2nd prize ($400)

The Cate Kennedy 3rd prize ($350)

Allen & Unwin Young Writers’ Award (now $500) for writers 18 or under.

The Kerry Greenwood Malice Domestic Award ($500)

Benn’s Books: Best Investigative story ($200 voucher)

ScriptWorks Great Film Idea Award: ($200)

 

Pulp Fiction Bookshop: Funniest Crime Award ($150 voucher)

Thanks also to Spinifex Books

 

To explore what makes a winning story, you might want to read Scarlet Stiletto: The Second Cut, a collection of 22 winning stories from the last four year of the competition, and the  reprint of Scarlet Stiletto: The First Cut, a volume of 26 stories from the first 13 years,  published by ClanDestine Press for SheKilda 2011: Australian Women Crime Writers’ Convention, Sisters in Crime’s 20th anniversary celebrations. Scarlet Stiletto: The Second Cut was The Age’s ‘Book of the Week’ on 17 December last year. (Copies can be ordered via Sisters in Crime web site. )

The 19th Scarlet Stiletto Awards close on August 31, 2012. Entry fee: $10. Maximum story length: 5000 word. Entry forms are available or writing to Sisters in Crime Australia, GPO Box 5319, Melbourne 3001

Further info: Contact Carmel Shute, National Co-convenor, Sisters in Crime Australia 0412 569 356 cshute@internode.on.net

*Watch out for my noir-paranormal-crime The Price of Fame.

Posted in Crime and Thrillers, Literary Competitions, Nourish the Writer, Writing Opportunities | Tagged: , , , , , | 2 Comments »

Short Story Competiton

Posted by Rowena Cory Daniells on June 20, 2012

The New Zealand Writers College short story competition is open to both NZ and OZ writers (who have had less than 4 short stories published). Winning or placing in competitions is a good way to establish your writing credentials.

The theme is: Full Circle.

See here for details.

It is a very reasonable first prize ($1000).  You can see archived winning entries here.

(With thanks to Sonny Whitelaw, (writer of Stargate books among other things), for bringing this to my attention).

 

 

Posted in Creativity, Literary Competitions, Nourish the Writer, Writing Opportunities | Tagged: , , , , | Leave a Comment »

Possible Market for SF, F and Horror

Posted by Rowena Cory Daniells on June 20, 2012

When I was at World Con in 2005 I met Jo Fletcher (we were on a panel together). At the time she was editing for Gollanz. Now she has her own line with Quercus Publihsing. And she’s looking for books.

From the web site:

Jo Fletcher Books is a specialist science fiction, fantasy and horror imprint, but as Jo’s own personal tastes in fiction have always been so wonderfully eclectic, and as the field of imaginative literature is so incredibly wide, Jo Fletcher Books is going to be as broad a church as possibly, hopefully publishing something for everyone.

Submissions

Jo Fletcher Books is currently accepting submissions of finished manuscripts in the science fiction, fantasy and horror genres.

Please contact Nicola Budd with the first three chapters (or first 10,000 words), plus a synopsis and covering email sent to the following email address:

submissions@jofletcherbooks.co.uk

 

 

Here’s a link to the books s Jo Fletcher is releasing.

 

(With thanks to Angela Slatter for bringing this to my attention).

Posted in Editors, Nourish the Writer, Publishing Industry, Writing Opportunities | Tagged: , , , | 2 Comments »

Opportunity for Writers

Posted by Rowena Cory Daniells on May 29, 2012

The QWC Hachette Mauscript Development Program has opened again. This is not genre specific, in fact it is not even fiction specific, so you might have a non-fiction book to submit.

Submissions close 5pm, Thursday 12th July.

You can download the Application Guidelines here and the Application Form here.

Posted in Literary Competitions, Mentorships, Nourish the Writer, Publishing Industry, Writing Craft, Writing Opportunities | Tagged: , , , | 5 Comments »

Richard and Trent at Gold Coast Supanova

Posted by richardharland on April 18, 2012

(Richard writes) I’ve been a hermit lately – a very productive hermit, finishing the next novel. (Steampunk, of course – same world as the juggernaut books, but a different time and different characters.) Now I’m going to get out and about again – starting this weekend with Supanova on the Gold Coast. I’ve been invited as a guest, and so has fellow-RORee, Trent Jamison. It’ll be great to catch up, Trent – seems a long long time since we met outside of cyberspace.

Michael Pryor and I will be doing a joint presentation on – of course – Steampunk! (Sunday at 3.15) Costumes and videoclips and readings and all sorts of wonderful things are guaranteed! Trent – if I can speak for you – I see you’re on at 2.40 Saturday with Kylie Chan, talking about Storytellin.

I’m really looking forward to it because I’ve never attended a Supanova before – but I hear the buzz is fantastic. I’ve just found an image of the hotel where I’ll be staying, the Hilton at Surfers –


How about that? I just hope it doesn’t topple over between now and Friday night.
Supanova itself is in the Gold Coast Convention and Exhibition Centre at Broadbeach. The authors’ gang includes Keri Arthur, Bevan McGuinness, Brandon Sanderson (the American author who’s continuing Robert Howard’s series) and, I think, Alison Croggan, as well as Trent, Michael and myself. The media stars are even more dazzling, but still, that’s quite a show of authors. It’s going to be grrrrreat!

Posted in Australian Spec Fic Scene, Authors and Public Speaking, Creativity, Nourish the Writer, Promoting your Book, Publishing Industry, Uncategorized | Tagged: , , | 3 Comments »

Margo Reveals What it’s like inside a ROR Crit Week!

Posted by Rowena Cory Daniells on February 6, 2012

From Margo …

A Deepening ROR—a wRiters On the Rise workshop, from the inside

That's where we were circled in red

First there’s a bit of foreplay. Someone pipes up online: “When’s the next ROR?” Someone at the other end of the country: “I’ll have a novel draft ready by about January; how’s everyone else set?” And all the ROR-ettes speak up one by one, with their first or later drafts that are in synch, or the obligations or health issues or financial limitations or lacks of work-in-progress that’ll keep them away this time.

ROR meets roughly every 18 months to 2 years; I haven’t been able to get to the last couple of retreats but when this one was mooted, I decided that I had a chance, if I went hell for leather during November-December, of getting a super-rough first draft of my colonial NSW fantasy written for ROR’s perusal for the end of January workshop.

Tansy and Andrew scoped out Steele’s Island Accommodation; we discussed timing and settled on the weekdays 30 Jan-3 Feb, because the place is booked out with weddings most weekends.

All went quiet for a while. I dealt with Sea Hearts copyedits and proofs, wrote stories for Twelfth Planet Press, judged the Australian/Vogel’s Award, wound up my time on the Literature Board talked at the Brisbane Writers Festival, launched two other writers’ books, day-jobbed 3 days a week and, by the looks of the calendar, dined with a lot of different people. Clearly I didn’t scratch myself; there wouldn’t have been time.

On 1 November I started writing the draft of Formidable Energies. I registered with Nanowrimo, because I wanted some company, and besides, they have this neat graph that you can use to track your progress against the ideal path towards the 50K words. I like a neat graph, and I’d never make one for myself. Generally I’m not wordcount obsessive; this time, though, I definitely had to achieve a book’s worth.

It was lonely, exhilarating, hilarious, keeping up the pace, papering over the chasms in my research, blithely charging on, jumping in and out of the story, going from jam scene to jam scene and ignoring any bread-and-butter bits, but trying to keep it coherent enough for my ROR friends to be able to see what I was getting at, the nature of this beast.

I didn’t have the know-how, about Celtic gods, about Irish language, customs, culture and history—and only a 20-year-old history degree to help me with the convict ships, penal law and early colonial Sydney. I researched as I went just so I could picture enough setting in which to tell the tale. Perhaps this research was the most fun. I prowled around the State Library, requesting old travel books on Ireland and copying useful pages onto the iPad. I learned so much during that month—but most of all I learned what huge gaps existed in my knowledge, and the enormous job I might have on my hands if I ever went at the research properly.

And I knuckled down and wrote. Here’s my completed Nanowrimo graph, to give you the bare bones of the story of my month:

I was happy with that. I booked my ticket to Hobart. I wrote on for another 2 weeks into December, and managed a draft of 45K, which took the story from (what I imagined was the) beginning to (one possible) end. Manuscripts began to fly between email boxes. I did what pulling-together of the draft I could, wrote some explanatory/apologetic notes to cover the worst breaks, trailings-off and confused bits, took a deep breath and sent it off to my ROR-mates.

There was a flurry of communication as we sorted out accommodation moneys. Then came silence as we read each other’s drafts; that’s a lonely stage too, that one, keeping your opinions to yourself, addressing comments to an unresponsive screen, worrying that you haven’t quite captured what you felt about this character or that piece of plot logic, or that you haven’t phrased it helpfully. Weeks, it takes, reading five novels and assembling meaningful critiques.

Departure date loomed. I anguished a bit more over my reports, then saved them, printed them out for good measure and started packing.

The view up the estuary

Steele’s Island Accommodation: the perfect place for a writers’ workshop. Huge spaces for meeting and lounging in, more rooms and beds than we could fill, even with half our families along. Outside, a river-beach to stride along to the sea, a wooded hill across the water, waves and mountains in the distance, weather pouring across the sky. Only a few distant holidaymakers reminded us that there was a world beyond ROR. And the landscape showed that this was once an extremely popular place to feast on oysters. We kept to that tradition, at least.

Steeles Island Midden

But aak!, Formidable Energies was scheduled for the first critique session in the morning, and I hadn’t thought about it for six weeks—how would anyone’s comments make sense to me? So after the welcome dinner, deep into the first night and early in the morning I went over it again, reacquainting myself with its wild ambitions, its flights of fancy, its longueurs and its pathological avoidance of any form of action on the part of its main character.

Then on the Tuesday morning, all those weeks of solitary work suddenly blossomed into community, and made perfect sense. My story, which had seemed so stale and stuck, sketchy and hopeless, suddenly loosened, lightened and took flight on contact with the possibilities brought to it by my colleagues. From feeling as if I couldn’t progress without wearing amounts of research and tedious clunky plot-making, I went in the space of 2 hours to being excited about the many, many ways this story could go, the means by which I could get my main man moving, the significance I could bring to the powers plaguing him, both in Ireland and the new land. I saw the way forward; I saw several ways forward. I couldn’t wait to get back to the ms. and try out these ideas.

Just as good, if not so directly personally affecting, were the rest of the critique sessions. I would come out of the 2 x 2-hour sessions almost unable to think straight, I’d absorbed so much as I listened to Rowena, Richard, Dirk, Tansy and Maxine’s encounters with the same manuscripts. They’d responded so differently – or they’d felt the same, but phrased their response so differently, or come up with some completely ingenious solution. It was thoroughly absorbing to watch other RORers’ novels fly apart under each critiquer’s hands and then be brought back together in new ways.

Thank you so much, ROR-ettes, for the time and thought that went into your reports. Thanks for the privilege of reading and considering your works in progress. Thanks Tansy and Andrew for finding Steele’s Island, Dirk for the wonderful food, Daryl and David for radiating calmness, Steven for tourist-ing on our behalf, and Raeli and Mima for providing an understorey of questions, songs, sand-sweeping, fruit-eating and general play.

Posted in Australian Spec Fic Scene, Authors and Public Speaking, Book Launches, Dialogue, Editing and Revision, Genre Writing, Nourish the Writer, Plotting, Point of View, Research, Story Structure, World Buildng, Writing Craft, Writing Groups | Tagged: , , , , , , , , | 2 Comments »

Double Book Launch

Posted by Rowena Cory Daniells on January 25, 2012

Anyone going to be in Tassie on Thursday 2nd of Feb?

We’re pleased to spread the news that Margo Lanagan will now be joining us on February 2nd for a launch of her new book, Sea Hearts. Margo and Tansy Rayner Roberts will share the evening, making it a very exciting double launch for us — don’t miss it!
Thursday February 2nd
5:30pm
The Hobart Bookshop*
Rowena Cory Daniells will launch Reign of Beasts by Tansy Rayner Roberts.
This is the final book in Rayner-Roberts’ The Creature Court trilogy.
Richard Harland will launch Margo Lanagan‘s Sea Hearts — an an extraordinary tale of desire and revenge, of loyalty, heartache and human weakness, and of the unforeseen consequences of all-consuming love.
 
So if you happen to be around, drop into the Hobart Bookshop and toast to Tansy and Margo’s new books!
*The Hobart Bookshop
22 Salamanca Square
Hobart Tasmania 7000
P 03 6223 1803 . F 03 6223 1804
hobooks@ozemail.com.au
www.hobartbookshop.com.au

Posted in Australian Spec Fic Scene, Authors and Public Speaking, Book Launches, Covers, Creativity, Fantasy Genre, Nourish the Writer, Promoting your Book, Publishers | Tagged: , , , , , , , | 2 Comments »

Raring to ROR…

Posted by Rowena Cory Daniells on January 18, 2012

As some of you might know our ROR writing group gets together every 12 – 18 months to critique our books in progress.

Back in 2001 at the first ROR we read Margo Lanagan’s Black Juice anthology and wept over Singing my Sister Down, which went on to win a World Fantasy Award. That was also the year we read Maxine Mc Arthur’s Less than Human, which went on to win the Aurealis Award for SF in 2004.

Since then there have been many RORs, and critiqued many books. Some of these books have been shelved or are still waiting to be completed and others  have been published, some of have won awards or been shortlisted for awards. (This reminds me I must update our success page. There’s been more sales since then. My bad).

For those of you who are interested, I’ve blogged about how to set up your own ROR group and how we critique. There are eight of us, but due to life, family and deadlines we don’t get to every ROR. (I’ve done them all so far, but I’m a bit of a ROR groupie. I even maintain this site in my spare time. All very sad, really).

Our next ROR is coming up in a couple of weeks. Having a deadline to get a book written for is a great motivator. We’re all madly reading each other’s WIPs (Works-in-progress), writing reports and planning to run away and be full time writers for a week!

There will be one book launch and possibly two, stay tuned!

From the Steele's Island web page. Link below.

This time we’re going to Tassie to Steele’s Island. Looks perfect for a bunch of nerdy writers!

So I’d like to raise a glass of cyber champagne to:

My writing friends, ROR ten years* on and still going strong!

* We couldn’t squeeze in a ROR last year in 2011, which would have been exactly 10 years, so this 2012 ROR is our official 10 year birthday bash.

Posted in Australian Spec Fic Scene, Awards, Book Launches, Creativity, Editing and Revision, Genre Writing, Nourish the Writer, Plotting, Writing Craft, Writing goals, Writing Groups | Tagged: , , , , , , , , , , , , , | 2 Comments »

Calling Short Story Writers…

Posted by Rowena Cory Daniells on January 17, 2012

Thanks to the inimitable Kylie Griffin for this tip.

Fantasy Faction are running a short story competition with prizes and places in an anthology. (More info here and rules here). I can’t see anything in the rules about limiting it to UK citizens.  They say:

There are 6 publication places up for grabs with cash prizes for our favourite three.

First – $500

Second – $250

Third – $100

There’s no entry fee and they are offering feedback if you want to pay for it (entry-plus). They’ll be accepting stories from February first through to June 30 2012.

Posted in Creativity, Nourish the Writer, Writing Opportunities | Tagged: , , | Leave a Comment »