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Posts Tagged ‘Trent Jamieson’

Having a ball at Supanova!

Posted by richardharland on April 23, 2012

I had a ball at Supanova, signing Worldshakers and Liberators, and doing a joint presentation on steampunk with fellow Australian steampunk author Michael Pryor. I was a huge event – I didn’t hear final numbers, but on Saturday it was well on the way to being the biggest Supanova ever. Most of the guests were international, stars of TV and film, graphic novelists, all sorts of talents. It was exciting to sit in the Green Room chatting to them!

The authors were mostly Australian, except for Brendan Sanderson, the American author who’s finishing off Robert Howard’s Wheel of Time series. [Whoops – quick revision – I had a brainsnap there – I meant Robert Jordan!} Our very own Trent was there – also Keri Arthur, Kylie Chan and my fellow steampunk author, Michael Pryor. Michael and I did a talk on steampunk – very well attended and approved enthusiastically. Steampunk is definitely making waves!

I loved seeing so many steampunk costumes there! In fact, there were more the second day than the first – because people had been buying steampunk gear from the stalls around.

For some classy steampunk costuming, here are Angela, Cherie and Michael (not the author) – plus me, not quite so classy because my shirt is hanging out. A real Victorian-era gentleman would probably die of shame if seen with his shirt hanging out!

I’m wearing my aviator helmet and goggles in that pic, but I got to wear my new steampunk hat most of the time. It attracted a lot of attention, that hat! Here I am wearing it, with Michael Pryor who also dressed up in full steampunk regalia.

I haven’t got a pic of all the authors at the signing table – I was sure I had, but I haven’t. Nor of Trent at the event – perhaps you can post one up, Trent?

Posted in Australian Spec Fic Scene, Authors and Public Speaking, Fantasy Genre, Genre TV Shows, Movie/TV Adaptations, Steampunk | Tagged: , , , , , , , , , , , , | 4 Comments »

Richard and Trent at Gold Coast Supanova

Posted by richardharland on April 18, 2012

(Richard writes) I’ve been a hermit lately – a very productive hermit, finishing the next novel. (Steampunk, of course – same world as the juggernaut books, but a different time and different characters.) Now I’m going to get out and about again – starting this weekend with Supanova on the Gold Coast. I’ve been invited as a guest, and so has fellow-RORee, Trent Jamison. It’ll be great to catch up, Trent – seems a long long time since we met outside of cyberspace.

Michael Pryor and I will be doing a joint presentation on – of course – Steampunk! (Sunday at 3.15) Costumes and videoclips and readings and all sorts of wonderful things are guaranteed! Trent – if I can speak for you – I see you’re on at 2.40 Saturday with Kylie Chan, talking about Storytellin.

I’m really looking forward to it because I’ve never attended a Supanova before – but I hear the buzz is fantastic. I’ve just found an image of the hotel where I’ll be staying, the Hilton at Surfers –

How about that? I just hope it doesn’t topple over between now and Friday night.
Supanova itself is in the Gold Coast Convention and Exhibition Centre at Broadbeach. The authors’ gang includes Keri Arthur, Bevan McGuinness, Brandon Sanderson (the American author who’s continuing Robert Howard’s series) and, I think, Alison Croggan, as well as Trent, Michael and myself. The media stars are even more dazzling, but still, that’s quite a show of authors. It’s going to be grrrrreat!

Posted in Australian Spec Fic Scene, Authors and Public Speaking, Creativity, Nourish the Writer, Promoting your Book, Publishing Industry, Uncategorized | Tagged: , , | 3 Comments »

Congratulations to the ROR Aurealis Award Finalists 2011

Posted by Rowena Cory Daniells on March 23, 2012

First of all a big congratulations to everyone who made the final lists for the 2011 Aurealis Awards. Having worked on the awards for 5 years I know what goes on behind the scenes and I want to thank the team who organise the awards and the panels who read the entries, and agonise over the final lists, all of them volunteers!

Celebrating our ROR 2011 Aurealis Awards – Finalists


The Shattered City by Tansy Rayner Roberts (HarperVoyager)


“The Proving of Smollett Standforth” by Margo Lanagan (Ghosts by Gaslight, HarperVoyager)

“Into the Clouds on High” by Margo Lanagan (Yellowcake, Allen & Unwin)




The Business of Death by Trent Jamieson (Hachette)



“Mulberry Boys” by Margo Lanagan (Blood and Other Cravings, Tor)



“The Patrician” by Tansy Rayner Roberts (Love and Romanpunk, Twelfth Planet Press)


Love and Romanpunk by Tansy Rayner Roberts (Twelfth Planet Press)


 Best of luck to everyone on the awards night. For more infor see here.

Posted in Australian Spec Fic Scene, Awards, Fantasy Genre | Tagged: , , , , , , , , | Leave a Comment »

Raring to ROR…

Posted by Rowena Cory Daniells on January 18, 2012

As some of you might know our ROR writing group gets together every 12 – 18 months to critique our books in progress.

Back in 2001 at the first ROR we read Margo Lanagan’s Black Juice anthology and wept over Singing my Sister Down, which went on to win a World Fantasy Award. That was also the year we read Maxine Mc Arthur’s Less than Human, which went on to win the Aurealis Award for SF in 2004.

Since then there have been many RORs, and critiqued many books. Some of these books have been shelved or are still waiting to be completed and others  have been published, some of have won awards or been shortlisted for awards. (This reminds me I must update our success page. There’s been more sales since then. My bad).

For those of you who are interested, I’ve blogged about how to set up your own ROR group and how we critique. There are eight of us, but due to life, family and deadlines we don’t get to every ROR. (I’ve done them all so far, but I’m a bit of a ROR groupie. I even maintain this site in my spare time. All very sad, really).

Our next ROR is coming up in a couple of weeks. Having a deadline to get a book written for is a great motivator. We’re all madly reading each other’s WIPs (Works-in-progress), writing reports and planning to run away and be full time writers for a week!

There will be one book launch and possibly two, stay tuned!

From the Steele's Island web page. Link below.

This time we’re going to Tassie to Steele’s Island. Looks perfect for a bunch of nerdy writers!

So I’d like to raise a glass of cyber champagne to:

My writing friends, ROR ten years* on and still going strong!

* We couldn’t squeeze in a ROR last year in 2011, which would have been exactly 10 years, so this 2012 ROR is our official 10 year birthday bash.

Posted in Australian Spec Fic Scene, Awards, Book Launches, Creativity, Editing and Revision, Genre Writing, Nourish the Writer, Plotting, Writing Craft, Writing goals, Writing Groups | Tagged: , , , , , , , , , , , , , | 2 Comments »

Countdown to the Aurealis Awards 2011!

Posted by Rowena Cory Daniells on May 20, 2011

Well, it’s that time of year again. And this year the Aurealis Awards will be held in Sydney. Harper Collins Voyager is sponsoring the awards. Kudos to the new AA management team, SpecFaction for pulling it all together. A national award like this with a different panel for each section, and a different panel for both the novels length and short stories is a major taks to organise.

This year the RORees have books and short stories in several section.

Young Adult Short Story

Dirk Flinthart has a story in this section. Goodluck with ‘One Story, No Refunds’ which appeared in ‘Shiny’ #6, from Twelfth Planet Press.

I’d wish Dirk all the luck inthe world, but this is where it gets tricky because Margo Langan has a story in the same section. ‘A Thousand Flowers’ published in ‘Zombies Vs Unicorns’, by Allen & Unwin.

Then to make matters even more complicated, Tansy Rayner Roberts has a story which she co-wrote with Kaia Landelius in this section. ‘Nine Times’ appeared in ‘Worlds Next Door’, published by Fablecroft Publishing.

Horror Short Story

Richard Harland’s story ‘The Fear’, which appeared in ‘Macabre: A Journey through Australia’s Darkest Fears’, published by Brimstone Press.

Horror Novel

Here we have Trent Jamieson with the first book of his ‘Death Works’ trilogy, ‘Death Most Definite’, published by Orbit (Hachette).

Fantasy Novel

Here Trent’s book ‘Death Most Definite’ appears again, along with book one of Tansy’s Creature Court trilogy, ‘Power and Majesty’, published by Voyager, (Harper Collins).

Science Fiction Short Story

Tansy does it again, with her short story ‘Relentless Adaptions’, which appeared in ‘Sprawl’, published by Twelfth Planet Press.

Science Fiction Novel

Marienne de Pierres’ books from her ‘Sentients of Orion’ series, ‘Mirror Space’ and ‘Transformation Space’ publsihed by Orbit (Hachette).

So, here’s wishing the RORees best of luck on Saturday night. TAnd while we’re at it the ROR team would like to wish all the finalists* the best of luck and congratulate them all for making it into the final 5 or less.

We’ll keep you posted. Tansy is going to be a presenter, so I’m sure she’ll be tweeting from the audience.

*For those of you who would like to view the complet list of finalist see here.

Posted in Australian Spec Fic Scene, Awards, Fantasy Genre | Tagged: , , , , , , | 4 Comments »

RORees appear on the Aurealis Awards Final Lists

Posted by Rowena Cory Daniells on March 26, 2011

Well, it’s that time of year again and the finalists for the Aurealis Awards have been announced.  (See here for the Press Release with the full list).

But for now I’m going to do the  Happy Dance for my fellow RORees.

In the Young Adult Short Story Section, we have Dirk Flinthart with his story One Story, No Refunds (Shiny#6, Twelfth Planet Press)  . And this is where it gets interesting, because Margo’s story A Thousand Flowers (Zombies Vs Unicorns, Allen and Unwin) is also nominated in the same section. And that’s not all, Tansy Rayner Roberts’ story Nine Times (Co-written with Kaia Landelius, published in Worlds Next Door, Fablecroft Publishing) is also a finalist in the same section. All I can say is what a line up!

In the Horror Short Story Section, Richard Harland’s, The Fear (Macabre: A Journey Through Australia’s Darkest Fears, Brimstone Press) is a finalist.

The we come to the Horror Novel Section where Trent’s Death Most Definite (Orbit, Hachette) is a finalist. And just to prove how versatile Trent is, his book is also a finalist in the Fantasy Novel Section! Along with Tansy Rayner Roberts’ Power and Majesty (Harper Voyager, Harper Collins).


Then we come to the Science Fiction Short Story Section where Tansy’s Relentless Adaptions (Sprawl, Twelfth Planet Press) is a finalist.

And finally we come to Science Fiction Novel Section. Here Marianne de Pierres has two books, Mirror Space and Transformation Space (Orbit, Hachette). These are the last two books of the Sentients of Orion series.

So I’m doing the Happy Dance for Richard, Dirk, Margo, Trent, Tansy and Marianne. It’s an honour for my fellow RORees to be finalists and fingers crossed on the big night in May!

Posted in Australian Spec Fic Scene, Awards | Tagged: , , , , , , , | 8 Comments »

Winner of Trent’s Give-away announced …

Posted by Rowena Cory Daniells on December 13, 2010

Picking a winner is always so difficult. I really hate it, particularly when you have such a nice bunch of answers to choose from.

Gillian suggested the Aigues-Mortes (Dead Waters) in France and it is such a wonderful location that I am sure (if I was a much more meticulous researcher into the past of Pomping I would see that the Aigues-Mortes hosted a Moot in 1879, which indeed it did, now I’ve perused Brown and Sempkin’s Brief (and relatively secret) History of Pomps. Apparently there were two murders, a failed Schism (most Schisms fail), and a successful fishing expedition on the afternoon of the second day of the Moot, in which Mr D caught a xiphactinus, unfortunately at the cost of an Ankou, and two guinea fowl, why the guinea fowl were there is unknown.) So, as Gillian suggested, extinct food was also on the menu, possibly leading to the outbreak of a severe stomach flu which occured on the following day.

Chris L suggested Africa, and Africa has indeed been a popular location, and was the ONLY location until around 70 thousand years ago. I’m wondering if your mention of animals also included them on the menu. RMs are a bloodthirsty lot in the main – though these days a lot of them seem to go in for the tiny sandwiches cut into triangles  (crusts removed).

Cels suggested Tasmania, and I believe there … just let me consult Brown and Sempkin again…yes, a moot has occurred in Tasmania in 230BC(E) and 1606, though, of course, it wasn’t known by that name back then. And the food eaten would indeed be regarded as delicacies now – time makes everything a delicacy or, at the very least, exotic.

Belinda suggested Montville because it would cheer up the Pomps (and they can be a bit gloomy, thanks for considering their feelings) the local food is lovely.

I have to say I liked all of these answers, but I have to choose a winner, and I think I’m going to go with Belinda because (and I know this is a little unfair) Montville was where Death Most Definite had its cruel beating, I mean critiquing, by the ROR crew, and I really like the hills around there, and I could imagine my RMs hanging around discussing the business of death as the rain rolled in over the valley, much like we did almost two years ago.

Louise suggested London, to keep it all at a distance (Oh, those poor Londoners, they cop it with everything!) and bad food to get the RMs out as soon as possible. Interestingly, RMs always complain about the foods at these things, so I don’t know if they would notice.

So, Belinda, if you want to email me at teacupthrenody at gmail dot com with your postal address I’ll get your signed copy away to you.

Please let me know if you want it signed to anyone in particular.

Oh, and if any of you are interested, I’m more than happy to pop some signed bookplates in the post to any of the other contestants.

Posted in Australian Spec Fic Scene, Book Giveaway, Creativity, Nourish the Writer | Tagged: , , , , | 1 Comment »

Meet Trent Jamieson …

Posted by Rowena Cory Daniells on December 7, 2010

I first met Trent at a Vision meeting back in 97, when Marianne and I were running the Vision Writers Workshop. He was working in a bookstore and writing short stories. Trent has had over 70  short stories published and his Urban Fantasy Trilogy Death Works is being published by Orbit.

We invited Trent along to the ROR we held in Varuna, because we knew we’d all benefit from his insight and we thought we needed some input from the male point of view.

Trent is one of life’s true romantics. His stories are both wonderfully whimsical and nicely ironic.

Trent has a copy of his latest book ‘Managing Death’ to give away. See the give-away question at the end of this post.



Q: Your stories have been finalists in the Aurealis Awards many times and have won two Aurealis Awards, yet I had trouble finding a complete list of your stories and where they were available. Are you not writing short stories any more?

I really should do something about putting a bibliography on my website. I guess there’s at least thirty stories I’ve published that I’d rather never see the light of day again, another thirty that I think are suspect and a handful that I’m happy with. Which may explain why I’m not writing any short fiction at the moment.

Short stories are too easy to screw up, and I’ve had a good twenty years of writing them (I started submitting short stories before my eighteenth birthday) so I don’t think there’s a pressing need for me to be writing them. Which doesn’t mean I won’t write any more, but right now I’m happy doing the novels.

Though, you never know when a story might grab you…

Q:Your Death Works trilogy is being published by Orbit. The trilogy is set in Brisbane, based on the premise that Death is a corporate business and your main character starts out as a little cog in a big machine. The Brisbane setting is evident and lovingly defined. Was there any resistance from your UK publisher to an Australian setting like Brisbane?

As far as I know there was no resistance from either my US or UK publisher. And these books are unashamedly set in Brisbane, but, hey, not every Urban Fantasy novel can be set in New York, New Orleans, London or Melbourne.

Q: You seem to be having a lot of fun with the whole Death as a Corporation premise. Where did this idea come from? Have you worked for a faceless corporation?

I just thought it would be an interesting approach to the grim reaper. Not so much a mystical job, but a job. And with the first book I was also writing with Work Choices very much in mind, things were looking for tough for workers and Unions, at the time, and I just reckoned that it would be even tougher for someone who worked for death. Must be the time for it, there’s a bit of a reaper vogue going on at the moment.

Don’t we all work for faceless corporations at one time or another – though they’re never really faceless. It’s the faces that make corporations interesting to write about. They’re states, cults and ideologies all rolled into one. I’ve had some interesting (and eccentric) bosses in my time, and there’s a bit of (some of) them in Mortmax.

Q: It is every writer’s dream to sell a trilogy. Yours wasn’t completed when you sold it. Have you found it challenging writing a book, while editing the previous one?

Yes, I was like the dog that catches the car. What do I with it now? Writing’s always challenging, and you never really know if you can do something until you’ve done it.

With all three books put to bed now, I think I can say that I know I can do this. Though, who knows, the next books I write may not go as smoothly (please ignore this, dear publishers).

It was harder than I expected in some ways – turns out, even with calendars and charts I still have a terrible grasp of time within a story – and easier, Steve’s voice often just dragged me through the narrative.

Q:You were working as editor for RedZine in 2001 How did this come about and what did you learn as a writer and editor while doing this job?

I learnt that editing wasn’t really for me, if I wanted to write. I also learnt that you really need to hook the reader from the beginning or you lose them, which I thought I already knew before this, but editing really drove it home.

Oh, and you should really read a magazine’s submission guidelines – they’re there to help you.


Q: Around this time Prime published a collection of your stories called ‘Reserved for Travelling Shows’. What did you learn in the process of compiling this anthology and is it still available?

One, that I had a bit of a death obsession, and two that really it was too early in my career to publish a collection. It’s a journeyman collection, and while there are some good stories in there, like all journeyman collections there’s some (to put it politely) not so good stuff, too.

It’s still available, and if you put the title into Google Books you can read a fair chunk of it.

Q: You’ve taught at Clarion South, and are currently teaching Creative Writing at QUT. You were a member of VISION for many years and you’ve been a member of ROR for the last 7 years so you have plenty of experience at critiquing. What is the most valuable thing you have learnt over the years about the craft of writing?

Be interesting, that is write what interests you, not what you think should be interesting or what you think you SHOULD be writing. The rewards of writing have to come from the writing itself first, and how can it be rewarding if you are writing something that really isn’t you, and that your heart really isn’t into.

Joy, enthusiasm, and peculiarity, these things make good writing for me.

Q: I believe you have handed in book three of the Death Works series. What is your next project?

I’ve three things that I’m working on. One is something that we critiqued in ROR, a duology called Roil and Night’s Engines. Another is a kid’s series called the Players (I’ve book One written, but I’m waiting on some feedback for that one) and, finally, I’m getting some notes and scenes together for book 4 and 5 of the Death Works Series – there’s still things I want to say about that world.

Q: When Marianne and I approached you back in 2003 to see if you’d like to join ROR, you agreed and have been part of the group ever since. ROR is very different from the VISION writing group in that we critique our novels in progress and we’re all published in novel length fiction. Did you find ROR helped you in developing or directing your writing? And if so, in what ways?

The simple answer is that I didn’t have a novel published before I joined ROR and now I do.

ROR to me is part critiquing group, part family. I find every member of ROR (awe)inspiring, and it’s great to have some wonderful writers with very different approaches to writing as friends and confidantes.

Q: At ROR we always do our realistic goals and our dream goals. So what are your realistic goals and what are your dream goals?

Finish my current projects by the end of 2011, I think that’s realistic enough. As for, dream goal, keep writing what I want, but with a few less financial pressures would be nice, but if not, well, I’m kind of living the dream now.

Give-away Question:

If you were charged with organising a meeting of the world’s Deaths, where would you host it and what food would you serve?

The competition will stay open until Monday night 13th December 6pm and the winner will be announced Tuesday morning on the blog.


Posted in Australian Spec Fic Scene, Book Giveaway, Creativity, Editing and Revision, Genre Writing, Nourish the Writer, Publishing Industry | Tagged: , , , , , , , | 16 Comments »

Finding your Character’s Voice

Posted by Rowena Cory Daniells on October 26, 2010

This is a Sunday Craft post that’s turning up on a Wednesday. The VISION list has been discussing how writers find their character’s voice, so I thought I’d ask the RORees for their insights.

Richard Harland:

How do I find a character’s voice? Well, basically, by not looking for it. I’d never try to envisage a character’s voice as something that could exist all by itself – I mean, turns of phrase, speech patterns in a vacuum?  I only start to discover how a character speaks when I try them out interacting with someone else. Then it becomes a question of how they try to influence others, bounce off others, show a particular face to the world … and that’s what produces their individual voice. Character determines interaction with others determines way of speaking to others determines typical turns of phrase and speech patterns. That’s the sequence that works for me.

I’m talking about a voice within a third person narrative, of course. It’s different in a first person narrative when the character is the narrator. I’ve just had huge struggles over a story called “Bad Thoughts and the Mechanism” for an international anthology called Ghosts by Gaslight, and my struggles were 90% over getting the right voice for the narrator. It had to be a 19th century voice, therefore formal and proper, but at the same time intense and emotional. A difficult balancing act – and I began the story the story five times over before getting it right. Maybe that’s my only advice for a first person narrator’s voice – keep on experimenting, however long it takes, because if you haven’t got the voice, you haven’t got anything.

For Richard’s Writing Tips see here.





Tansy Rayner Roberts

I’m just coming to the end of a trilogy that’s more complex than anything else I’ve ever written, largely because of voice.  I have several POV characters, most third person and a few first person, and it’s hard work to keep them all feeling like they have a distinct voice.

My personal ideal is that you should be able to tell whose eyes the scene is being shown through even if they’re not named (though of course I do always name them, I’m not that mean!).  My main trick for capturing voice is vocabulary – I like to have a few key words that are specific to a particular character, something they use more that others don’t.  I also like to use phrasing that links back to their past or their interests – so my dressmaker sees the world in craft metaphors, the performer from a small fishing town uses theatrical comparison and sea shanty style insults, my aristocrat has a higher sense of entitlement and impatience and a complete tomcat sensibility which means he wants to have sex with everyone he meets…

There is no perfect way, but I do like to have a few things to cling to with each character that makes me feel as if I am in their head, and telling this part of the story through their voice.  Swearing is a great key to each character – some characters swear more than others, some more creatively, some prissily, some boldly, and some not at all.  Though as with anything you can overdo that kind of difference – you don’t want to end up as a parody of your own techniques!  I hope I get the balance right.

Having said all that I am REALLY looking forward to my next book which will only have one POV character, first person, and one single voice to capture.  Oh, the luxury!

Maxine McArthur:

Sometimes a character’s voice is there from the beginning. Halley was like that. I did a little tweaking in the middle of writing Time Future because the plot changed greatly, but basically from the moment I wrote the prologue—which stayed pretty much the same without rewriting—she was ‘there’. In my head. Which was a bit scary.

Tacs (a character in my present project) is like that, too. I’ve never had to struggle to wonder what he’s going to say or do. With these characters, the right words tend to come out easily.

Sometimes a character’s voice develops as I write—the more I get to know them, the easier it is to express their thoughts. You have to court them. Murdoch was like this, and also Ishihara in Less Than Human. It’s an enjoyable process, this getting to know a character. It may involve quite a bit of rewriting, but that’s part of the fun. The words don’t come out as easily with these characters—yesterday I spent a good 15 minutes (I was also boiling an egg at the time, that’s how I know) finding the right two lines of description from a certain character’s point of view.

I think that ‘finding’ a character’s voice is a cumulative process, not a point of ‘aha!’ discovery. The more time you spend getting it right in the beginning (like my 15 minutes), the easier the words come as the story progresses. It’s as though the character’s voice wears a path in your subconscious, and when you step onto that path, like a record needle placed in the groove, you can’t go wrong. This is another reason I spend a bit of time each writing session re-reading previous passages—it helps set the needle in the right groove.

Trent Jamieson: (Warning, Trent was overcome by an attack of Whimsy!)

The Tournée Method

For this method you need at least six or seven jars, with their lids as well. Make sure you remove their labels, and wash the jars and their lids thoroughly, and I mean thoroughly they must be as clean as possible.

You will also need a very sharp knife, and I mean Very sharp, the sort of blade that will cut you if you if you look at it from the wrong angle. Yes, that sharp. A tournée or a bird’s beak knife as they are commonly known is best, though you may need it professionally sharpened. Most supermarkets sell them, but if you cannot find one there, try a shop that supplies kitchen items to chefs.

With your tournée knife, and your jars, (careful, don’t break them, the jars must be whole, the lid making a perfect seal) walk to the nearest bus stop or train station.

As you probably know, the four winds of the world gather there, there’s nothing they delight in more than blowing open people’s umbrellas, or mixing rubbish, dirt and air in whirling bursts to scatter over commuters’ finest work outfits. More importantly the four winds contain all the voices of the world.

Sit at the stop (or station), switch off your Ipod and listen. Listen in the most profound way you can, above the sound of approaching buses (or trains). Strain your ears. Listen to the voices of the world. You’ll find if they’re fast or slow or angry. You’ll know if they hate or they love. If they speak in long slow sentences or rush as rapid as racehorse, a real thoroughbred. You’ll know if they are educated or not, if they like to swear or sweeten their words.

Listen. Concentrate.

Now, when you have found what you are looking for, be quick, and be subtle. Open a jar, slip out your knife, and (careful not cut yourself of or others) slice the voice from the wind. You don’t need it all, just a sliver.

Fill each jar with a different voice, some will be heavy some will be light, when you have enough take them home and set the jars on your desk, or wherever it is that you work. Do not shake the jars! That would be cruel.

Each voice should last you at least six months, possibly twelve, enough time to get a novel written, enough time to know what that voice is saying, what it’s thinking. By the end you should be able to close your eyes and hear that voice even when it isn’t there.

At that stage you should be able to empty the jars, rinse, clean, then repeat as required.

Don’t you just love, Trent?

But what’s he’s saying is true. All the voices in the world are out there. You just need to listen. I catch a lot of trains. Commuter trains tend to be serious business, but trains at off peak times are real microcosm of the world. I listen and sometimes people talk to me. I must have a friendly face because people tell me the most amazing things.

So there you are, some insights on how writers find their characters’ voices.

Posted in Characterisation, Creativity, Nourish the Writer, Writing Craft | Tagged: , , , , | 14 Comments »

A round up of what the RORees are up to …

Posted by Rowena Cory Daniells on October 12, 2010

For no particular reason, Trent’s going first.

Trent has just handed in book three of his trilogy and is madly doing the edits on book one. And while we’re talking about Trent, here’s a review of his latest book, Death Most Definite.  He offers Career Advice for the New Writer here.

Marianne has started her Cowpunk series and her anthology Glitter Rose is now available.  She now has the cover for the first book of her YA series, which has its own web site here. Check out the writing advice here.

Tansy has been working on the third book of her trilogy . Turns out book two has been renamed The Shattered City. For a sneak preview of book two see here.

Richard is polishing book two, Liberator. Having read it a ROR I can say it is worthy sequel to Worldshaker. And this is where you can access Richard’s 145 pages of writing tips.

Maxine is working on a fascinating story that involves time travel and the first world war. We read her book at the recent ROR and I found the scenes in the Sopwith Camel gripping. She’s about to set up a new blog with info on the new book, so I’ll add a link when I get it.

Margo is up to her ears in revisions for a novel about selkies, due out at the end of 2011 in Australia and in Spring 2012 in the US and the UK.  She’s also putting together a fourth collection of short stories, called Yellowcake, which brings together stories published in all sorts of places in the last four years.   It’s coming out in Australia in March 2011.  She’s also writing a whole new batch of fresh short stories, which will come out in various anthologies in the next twelve months.  And she will be teaching at Clarion West in July of 2011. For more info, see here.

Dirk has been writing a Libretto, based around Bedlam, the Queen of the Faeries and Lord Byron, which promises to be a show stopper!

And I’ve been working on the new trilogy, The Outcast Chronicles , for Solaris.  I’ve blogged about how the clean up process became the rewrite process when I discovered I’d ended the book in the wrong place.

I might do something about setting goals for the next ROR Sunday Writing Craft post. Feel free to make suggestions for topics.


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